Drawing inspiration from personal experiences as well as Chinese art and philosophy, acclaimed artist Maria Giannakaki presents her latest solo exhibition, Beauty, at Skoufa Gallery. Her art evokes harmony and joy, while gracefully reflecting deep spiritual and aesthetic connections.
Giannakaki’s paintings celebrate small, everyday marvels that remind us the beauty that exists in our world. She delves into themes of mindfulness and femininity as she weaves intricate narratives beneath the surface, drawing viewers into a space where hidden stories and revelations coexist. Her works are infused with elegance and sophistication, inviting viewers to indulge in an ethereal, serene world, filled with deeper symbolic meanings and emotions.
Maria Giannakaki studied Painting at the Athens School of Fine Arts (1977-1982) under Panayiotis Tetsis and Mosaic under Yannis Kolefas. She furthered her education on a scholarship from the Greek State at the Hangzhou Art Academy of China specializing in traditional Chinese painting techniques and calligraphy (1983-1985). Her first solo exhibition was held in Beijing. Her works can be found in significant private collections. She lives and works in Athens.
Maria Giannakaki speaks to Greek News Agenda* and shares her vision of art.
Is the concept of beauty subjective? How would you approach a work of art that does not meet certain aesthetic requirements?
Art in itself has its values, language and rules. The concept of beauty is subjective. In that sense, the fact that a work of art from, my perspective, meets the aesthetics requirements, does not necessarily mean that this belief is also valid for others.
Do you believe in the redemptive function of art? Is it possible to offset the challenges of everyday life through art?
I believe in the redemptive function of art. In all its forms, it has the ability to pass on messages, provide us with emotional and intellectual “food”, make us think, dream, reflect, learn and spark motives that are hard to find in human nature.
You have spent quite a long time in China. What are those elements of Chinese art and philosophy that you have loved and subsequently incorporated into your works?
The Chinese philosophy infiltrates all Chinese painting and calligraphy. I love Chinese philosophy and I express myself through it. The concepts of white space, the concept of light, the symbolism of elements of nature used to express emotions have strongly influenced me. However, as a western artist, I am developing my own personal style.
What are the issues that concern you as an artist?
The human figure is the main point of reference in my art as well as human emotions and situations.
How important is interaction with the viewer?
What is quite peculiar with artists is the fact that, although we work in an isolated manner, the result of our work ultimately has to do with the viewer because he is the one we are addressing to. Sometimes I feel it is important to know what the viewer thinks about my work. Many viewers share their impressions or feelings that I had not even thought about or might have been in my mind without even realizing it.
Do you think that contemporary Greek art is recognizable abroad?
Along the evolution of modern Greek art, very few Greek artists were recognized abroad. I don’t know why, but I have the impression that the art market abroad is not interested in Greek artists.
*Interview by Dora Trogadi
Intro photos: Left: The artist Right: Blue Chinese Vase With Peonies
TAGS: ARTS
